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Frank's Movie Log

My life at the movies.

  1. A still from Society (1989)

    Society 1989

    B-: 4 stars (out of 5)

    Directed by Brian Yuzna. Starring Billy Warlock, Concetta D'Agnese, Ben Slack, and Evan Richards.

    A satirical paranoid thriller starring Billy Warlock as a Beverly Hills teen who uncovers a sinister, far-reaching conspiracy. The fun comes in how far the film will push its boundaries. Where other movies stop at suspenseful, Society pushes through to weird, disturbing, and gross. Continue reading...

    Watched on 27 May, 2021
  2. A still from Color Out of Space (2019)

    Color Out of Space 2019

    B-: 4 stars (out of 5)

    Directed by Richard Stanley. Starring Nicolas Cage, Joely Richardson, Madeleine Arthur, and Elliot Knight.

    I liked this one, but I wanted to love it. Based on H. P. Lovecraft’s story, a meteorite crash-lands outside an isolated New England farmhouse, dooming the family within to manipulation by extraterrestrial forces. Nicolas Cage plays the exasperated patriarch. Continue reading...

    Watched on 27 May, 2021
  3. A still from King Rat (1965)

    King Rat 1965

    B: 4 stars (out of 5)

    Directed by Bryan Forbes. Starring George Segal, Tom Courtenay, James Fox, and Patrick O'Neal.

    In a Japanese POW camp during the waning days of World War II, George Segal plays a shrewd, charismatic American Corporal who wheels and deals his way to an easier life for himself and his friends, as others struggle to survive. Continue reading...

    Watched on 17 May, 2021
  4. A still from Curse of Chucky (2013)

    Curse of Chucky 2013

    C+: 3 stars (out of 5)

    Directed by Don Mancini. Starring Chantal Quesnelle, Fiona Dourif, Jordan Gavaris, and Danielle Bisutti.

    A back-to-basics sequel set in an old house full of long shadows and creaky doors. Outside, a perpetual thunderstorm rages. Inside, a wheelchair-bound young woman realizes the toy doll in her home may have supernatural powers. Throwing back to the original, we have a young moppet. But unlike the early films, she’s not central to the plot and disappears for the finale. Instead, the film proffers a surprising sexual thriller alongside the traditional bit where our leads must acknowledge and thwart Chucky. I loved the gothic atmosphere and found the performances entertaining throughout. And for franchise fans, the post-credits tag proves brilliant.

  5. A still from Bill & Ted Face the Music (2020)

    Bill & Ted Face the Music 2020

    D: 2 stars (out of 5)

    Directed by Dean Parisot. Starring Keanu Reeves, Alex Winter, Kristen Schaal, and Samara Weaving.

    Disappointing sequel sees perennial doofuses Bill and Ted still struggling to fulfill their destiny while facing crumbling marriages and their college-age children’s expectations. I wanted to like this more. The script strives to recapture the first entry’s sense of whimsy by recreating the original film while telling a new story, but the result feels too self-conscious. The cast commits but can’t overcome the material. Ted’s wearing a button-up and slacks. Indeed, you can’t go home again.

    Watched on 15 May, 2021
  6. A still from Hell's House (1932)

    Hell's House 1932

    C-: 3 stars (out of 5)

    Directed by Howard Higgin. Starring Bette Davis, Pat O'Brien, Junior Durkin, and Frank Coghlan Jr..

    A reform school drama buoyed by early charismatic performances from Pat O’Brien and Bette Davis. Junior Durkin plays Jimmy, a fourteen-year-old who travels to the big city to live with his aunt and uncle. He soon becomes enraptured by their smooth-talking boarder, played by O’Brien, who takes a shine to Jimmy and hires him to watch his office and take messages. Continue reading...

  7. A still from The Greasy Strangler (2016)

    The Greasy Strangler 2016

    A-: 5 stars (out of 5)

    Directed by Jim Hosking. Starring Michael St. Michaels, Sky Elobar, Elizabeth De Razzo, and Gil Gex.

    How to describe The Greasy Strangler? It’s part father-son relationship drama, part schlock monster movie, and part 70s sleaze, all staged with the precision of a Wes Anderson film, and seeped in British-style absurdist humor. You will either love it or hate it. I can’t imagine a middle ground. Continue reading...

    Watched on 13 May, 2021
  8. A still from Mortal Kombat (2021)

    Mortal Kombat 2021

    B-: 4 stars (out of 5)

    Directed by Simon McQuoid. Starring Lewis Tan, Jessica McNamee, Josh Lawson, and Joe Taslim.

    Lewis Tan plays Cole Young, a once-promising mixed martial artist reduced to last-minute bouts staged in sweaty auditoriums. An attack from a mysterious assailant with supernatural powers thrusts him into a centuries old conflict between worlds. Continue reading...

    Watched on 13 May, 2021
  9. A still from High Pressure (1932)

    High Pressure 1932

    C-: 3 stars (out of 5)

    Directed by Mervyn LeRoy. Starring William Powell, Evelyn Brent, George Sidney, and John Wray.

    William Powell plays New York City’s best “promoter.” If you’ve got an idea for a business, he’ll mastermind drumming up investment dollars. His one catch: the deal must be legit. As he says, anyone can put over a swindle, but promoting a real deal takes skill. George Sidney brings him a proposition involving synthetic rubber and soon Powell has an army of salesmen pressing the hard sell on scores of potential investors. Think a tamer Wolf of Wall Street. Things take a turn when the Attorney General demands they prove their ability to produce rubber. Not a standout, but I enjoyed it. Powell’s charming as ever and director Mervyn LeRoy keeps his foot on the gas. Only the romantic angle between Powell and Evelyn Brent underwhelmed. Frank McHugh turns up early as Powell’s right-hand man.

  10. A still from The Man in the Iron Mask (1939)

    The Man in the Iron Mask 1939

    C: 3 stars (out of 5)

    Directed by James Whale. Starring Louis Hayward, Joan Bennett, Warren William, and Joseph Schildkraut.

    Peter Cushing’s debut. Fitting it should come in a film directed by James Whale, who had—eight years prior—directed Frankenstein. This loose adaptation of Alexandre Dumas’s novel boasts a winning double-role from Louis Hayward. The lavish sets scream for Technicolor, but the optical effects involved in Hayward playing opposite himself may have prevented it. I’d have preferred more swashbuckling and less melodrama, but it’s still an entertaining ride. The climactic chase reminded me of a western. Our heroes on horseback pursing the villain across the California landscape as he shoots back at them. It also drove home that we weren’t in France. Cushing has one scene as the vice-goon of a band of soldiers sent to arrest d’Artagnan.

Pagination

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