With the Infinity Saga done, it’s easier to forgive this entry for what it is: a plot-heavy middle chapter in a larger story that regulates the Ultron character to a McGuffin.
Alfred Hitchcock’s first sound picture. A Scotland Yard constable covers for his girlfriend after realizing she’s implicated in a murder. The two then fall afoul of a blackmailer. Hitchcock shot this silent then added the sound scenes later and it shows, but his formal mastery is still amazing. Love the rack focus reflection shot in the opening sequence.
Boris Karloff’s first talkie. His contribution comes via a bit part as lead Warner Baxter’s vaguely Arabian manservant. Though billed as a mystery, the film plays as a melodrama. Baxter and Lois Moran play would-be lovers kept apart by Moran’s murderous, philandering husband and the script’s insistence that Moran behave like an impetuous child.