Dario Argento

Dario Argento’s directorial debut. Tony Musante plays Sam, an American writer living in Rome. Walking the streets one night, he glances inside an art gallery and spies a black-clad assailant attacking a woman with a knife. Unable to gain entry, Sam watches the attacker escape as the woman lies bleeding on the floor. The police arrive in time to save the woman, but visions of the incident haunt Sam, driving him to investigate the attack. Soon, the killer’s targeting him and his live-in girlfriend, played by Suzy Kendall.

I’d long considered Dario Argento’s sophomore effort a disappointment, but upon revisiting I discovered a competent—albeit unremarkable—mystery film.

Writer-director Dario Argento’s third entry in his “Animal Trilogy” behind The Bird with the Crystal Plumage and The Cat o’ Nine Tails. Michael Brandon plays a drummer in a successful rock band. One night after rehearsal, he confronts a stalker and commits manslaughter. His crime goes undiscovered by police, but another stalker threatens first to expose him, then to kill him.

An oft-forgotten entry in director Dario Argento’s filmography. A historical comedy-drama set during Milan’s anti-Austrian revolt of 1848.

After witnessing a murder, a pianist teams with a reporter to find the killer.

A young soprano finds herself stalked by a black-gloved killer who forces her to watch his crimes.

Skip the first half of Two Evil Eyes. Or at least watch the second half first.

The Sect credits three talented screenwriters. Trouble is, they were all writing different movies.

Julian Sands plays the titular Phantom, a man raised by rats who stalks the catacombs beneath the Paris opera house and falls for a promising understudy with tragic results.