Terence Fisher

A psychologist (Noel Coward) begins an affair with his wife’s best friend, which ultimately destroys his marriage.

A young English woman (Jean Simmons) in Paris wakes up to find her brother (and his entire hotel room!) missing.

For Peter Cushing and Christopher Lee’s first film for Hammer, a guest review from the good Baron himself:

Howard Hawks’s recipe for a good movie comprised “three great scenes and no bad ones.” Hammer’s first entry in its Dracula franchise gives us exactly that.

Dr. Frankenstein (Peter Cushing) escapes the gallows and resumes his experiments while working in a hospital for the poor.

Peter Cushing plays Sherlock Holmes who, alongside André Morell’s Doctor Watson, seeks to save nobleman Christopher Lee from a family curse involving a supernatural beast.

Anton Diffring kidnaps beautiful Hazel Court to blackmail surgeon Christopher Lee into performing an operation to keep him young.

Archaeologist defile the tomb of an Egyptian princess and face the wrath of her protector, an undead mummy.

A Captain (Guy Rolfe) in the British East India Company investigates a murderous cult ambushing caravans.

A teacher falls prey to a vampire baron in the German countryside.

Homely Dr. Jekyll’s serum transforms him into the dashing, sociopathic Edward Hyde—who promptly torments Jekyll’s unfaithful wife and her lover, Jekyll’s backstabbing best friend, played by Christopher Lee.

Robin Hood (Richard Greene) attempts to foil the Sheriff of Nottingham (Peter Cushing).

A man (Oliver Reed) is born cursed with the sign of the werewolf.

A producer tracks a mysterious figure that haunts a London opera house.

A professor (Christopher Lee) investigates a woman (Barbara Shelley) and a doctor (Peter Cushing) who may be linked to the Medusa-like creature terrorizing a small village.

Two couples ignore multiple warnings and visit Castle Dracula.

When is a Hammer film not a Hammer film?

Some films have no business working as well as they do. The Devil Rides Out is one such film.